Here is a gallery of pots made with this enamel:
To obtain this "Nuage cendré" glaze, I started from my " fleurs de pissenlit " glaze, to which I added antimony in various proportions:
The test on the right appeals to me with its satin finish and shades of black, green and white...
I try again, weighing the ingredients to obtain a finer result than before. In fact, for the previous test, as is the case when I start from an existing base, I don't weigh all the ingredients, I take a volume of glaze that's already ready and add the metallic oxides to quickly see if a lead can be taken further. This is the case here, so I give it another try:
It seems to be interesting to dig between the second and third attempts. I carry out a new test with a concentration between the second and third test. I also use less material as the enamel looks runny:
I decided to test this recipe on a larger room:
I like the result! I carry out my thickness test:
